Relative Montague "Monty" Roberts, a well-known race car driver, was the driver of the team when it started in Times Square, NY. With only minor intervals so he could rest, he was the sole driver to Wyoming during a very rough 1908 winter. He had to give up the wheel (The Thomas Flyer was in the lead) at Cheyenne, Wyoming as he had to get back to New York for a contractual obligation to practice for the French Grand Prix race later that year (1908). The Thomas Company mechanic he personally selected, George Schuster, finished the race as driver. George was an amazing man, he was not a known race car driver as Monty was, yet he took the wheel and drove basically from Cheyenne to Paris, France, including through the terrible terrain of Siberia.
There was only one American entry. If it wasn't for Monty, there would be none. He convinced Mr. Thomas, owner of the E.R. Thomas Motor Co. to enter his car.
Known for his outstanding views of New York City, this one captures the classic view of Times Square with all the lights and hustle. Cars that are in the foreground. This is a limited edition estate print printed and signed by his son. The image measures 10 x 10 inches and in excellent condition. Not quite perfect but pretty close. The print is numbered 170/350 and authorized and signed for by his son. That is all done on the back of the original photograph. It is housed in the original matte that has the number and title in pencil on it. The information is on the backing of the matte as well with the number and signature of his son. Wonderful example of the estate prints of one of the better 20th century photographers.
For those not familiar with the photographer a brief biography from a website that sells his work is below. " A German refugee, committed humanist, and early exponent of handheld photography, Fred Stein fled his home country for Paris and later New York, where he captured both the poetry of the streets in joyful photographs and the luminaries of the 20th century in sensitive portraits. Despite the desolation and upheaval of the 1930s and ’40s, Stein found hope and beauty in city streets, taking photographs that conveyed his profound honesty and concern for his fellow human beings. His portrait of Albert Einstein, made in 1946, is perhaps his most famous photograph."